avrelia: (Default)
On Saturday we visisted our friends. The girl (photographer) had just come from the shoot, and was complaining about hardships of the profession. They (she and her business partner) got to shoot a really hot boy, and they had troubles concentrating on work, because the hotness of the boy was very distracting.

I've seen the pictures: yes, he is that hot.
avrelia: (kbsword by indilime)
I find it mildly disturbing that I was full of really cool ideas about Eco and the book when I was reading it two months ago, and I even typed some of it, and then I accidentally deleted it, and then I didn’t have time and/or inspiration to write it again, and now that I have I cannot remember anything. Anything but vague memories of how happy I was thinking those thoughts. I have too many books right to read from the library, so going back isn’t an option, and it wouldn’t be the same anyway, and I really wanted to post those thoughts here, and… woe me.

Let’s try, anyway.

It wasn’t an easy book to read, neither the first time around, five years ago, when it took me couple of months to finish it, nor now, even though I read it in a week. I cannot claim I got all the references, and understood fully everything… It is never the point, isn’t it? We are reading books through our personal lens that change as we change. Five years ago a different me read a different “Foucault's Pendulum”. The one I read now was about history, perceptions, and personal choices – the things that have a large place in my thoughts lately. (If my husband reread this book now, it would probably be about competition and productivity.)
We want to make sense out the world, out of the life, and of the history – our personal and the big one. We want everything to make sense. Sometimes by this we mean to have a sense of higher purpose.

I love reading about The Plan. I don’t suppose it existed, but I enjoy reading the chapters about creating the plan as well as various conspiracy theories. They often seem so entertaining. In this I am a little bit like Kazobon – trying to fanwank history for the fun of it, but not believing in any of it, just enamored with the beauty of a well-crafted nonsense.

It is a little bit about being a demiurge - creating your own world out of the chaos of the real one. Only it is not a chaos, it is a life, going through its eternal conflict between chaos and order, because both perfect chaos and perfect order is an absence of life. Entropy. It is also about creation itself – paralleling the creation of the plan, with writing of a book, with conceiving of a child, with creation of oneself. And once again, does our life have a meaning? Is there a one perfect, sparkling moment that justifies everything, that brings everything to the single point, the only fixed point in the universe?

So, here goes a mistake of getting heads too high it the abstract intellectual clouds. And Belbo is telling about the plan to a wrong person for a wrong reason.

I was thinking about it for too long, and I am losing the connection with the book. What was about Belbo? It was important. I’ll have to read it again. Meet me here in five years, ok?
avrelia: (kbsword by indilime)
I am reading Wilkie Collins. Again. The Woman in White. And I love it again. I am quite fond of Walter Hartright, and I love, love, Marian Halcombe. She is one of the most interesting female characters I know of. Ever. And what a description, and what a role physical beauty plays here. We meet with her turning back to the Walter – and to the reader. And with Walter we admire her back, her stature, her body, and then she turns, and… her face isn’t up to contemporary beauty standards. Oops. And look at the description – she isn’t really ugly

The lady's complexion was almost swarthy, and the dark down on her upper lip was almost a moustache. She had a large, firm, masculine mouth and jaw; prominent, piercing, resolute brown eyes; and thick, coal-black hair, growing unusually low down on her forehead. Her expression -- bright frank, and intelligent -- appeared, while she was silent, to be altogether wanting in those feminine attractions of gentleness and pliability, without which the beauty of the handsomest woman alive is beauty incomplete.

She mostly isn’t feminine enough in her expressions. Then she starts talking and all ugliness is forgotten. Until, of course, Laura appears, the vision of a perfect beauty, not perfect in its features, but in its influence over a man. I don’t find Laura interesting per ce. I like her, she is a sweetie, but she is always an object – of love, greed, villainy, or nobility. She is like Irene from the Forsyte Saga, slipping through other lives, influencing other lives, but never acting themselves.

Beauty does mean a lot in our first impressions – whether we admit it or not. But the second impressions help us with a touch of reality.

And I loved Walter in the fateful meeting on the road to London with the Woman in White. How sincerely perplexed he is! How he is trying to justify himself in helping the stranger!

As she repeated the words for the third time, she carne close to me and laid her hand, with a sudden gentle stealthiness, on my bosom -- a thin hand; a cold hand (when I removed it with mine) even on that sultry night. Remember that I was young; remember that the hand which touched me was a woman's.

Hee!

More to come. ;)

And now, I have a favour to ask. Could please think something encouraging for me tomorrow around noon EST? I have an interview, and I really want this job. Pretty please? ;)

Finally, a question: what are your favourite female characters in books? Any time, any country?

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